Vegas does not offer a Panasonic specific version of HLG. But only the HLG LUT explicitly specifies "for Rec709".Įdit: Note that the media properties are all set to"Rec.2020 HLG (1000 nits)". The Leeming LUT Pro III pack also contains Vlog and Cine D LUTS for Panasonic G series. It is not clear to me when the Leeming LUTs should be used. I currently find that using Vegas 18 with 32bit floating point (full range ACES 1.2) gives me footage that requires the least effort in colour grading. I think if you compare the above you will understand why I chose to process my Panasonic GH5 HLG footage using ACES and no LUT in Vegas Pro 18. Perhaps the green bias found in Vegas 19 is reducing the impact of the red introduced by the LUT. The above has a re tint but not as bad as Vegas 18. Very different to the result in Vegas 18. Same as Vegas 18Ĭolours have a green shift. The above seems dull and the colours are too red. The above seems dull but colours seem reasonable. The above has a red tint that is not correct. Colours are a good starting point for grading. The above seems dull and the colours are too redģ2bit floating point (full range ACES 1.2) With Leeming LUT Pro III - Panasonic G Series - HLG for Rec709 The above seems dull but colours seem reasonable I have been doing some tests on a single clip using both Vegas 18 and 19: IMPORTANT! INFORMATION REQUIRED TO HELP YOU How Can I Reset Vegas to Default Settings? How do I Get Firewire DV/HDV Capture Working? Other Published Resources Compiled by Nick, Set, et al My free dual range RGB YUV grayscale and stepwedge for handoff, screens, and printersīetter Clipping Demo (using Photoshop Action) Original compilation of YUV Levels resources (2011) by amendegw and jazzy (Archive, a few broken links)Ī useful printer, monitor, and video levels target. Monitor and Viewing Conditions for Color Correcting (not updated yet) Seven Lossless Codecs Rendering Comparison (2011) RGB / YUV Intermediate Codec Shootout - 2018 Wagging the Dog - Effects of Hyperoptimal Upload Bitrates on Youtube Quality Monitor Calibration on the Cheap - a Windows 10 Tutorial HDR to 8 Bit Grading Tip - Reclaiming the Shadows Why don't my broadcast and PVR recordings work in Vegas? UPDATED ~~ Fixing the "Pale Screen of Misery" ~~ Note: Set the Youtube Player to 720p (it defaults to 360p)Īdding Player Chapter Markers to MP4 files Highlight Reel 2000-2010 (Deinterlaced and Upscaled to 720p from NTSC DVD) Regional Music Direction / Production Credits: West Side Story (1996), The Who's Tommy (1998), Anything Goes (1998, 2000), Personals (2000), Suds (2001), Broadway Then and Now (2001), Joseph and the Amazing Technicolor Dreamcoat (2002), Fiddler on the Roof (2003), Little Shop of Horrors (2004), South Pacific (2005), Hello, Dolly! (2005), Grease! (2006), The Sound of Music (school, 2007), Jesus Christ, Superstar (2007), A Funny Thing Happened on the Way to the Forum (2008), The Fantasticks (2009), The Enlightenment (Regional Premiere, 2010) Technicolor Corp., Eastman Kodak, Inc., Noritsu, Pako, Hope Industries, Gretag Macbeth, CPI, Pallas Chicago/Denver, Phototron, QMI, Royal Color. Film and Imaging QA / Technical & Training Certifications Vegas Editor since 2001 (Sonic Foundry Vegas Video 2) I am running on an Intel NUC11PABi7 with 32gb of ram. This happens both with a new project created in VP 19 and in projects created in VP18 and then opened in VP 19.Ĭurrently I cannot use my HLG footage in VP19. Note that in the samples below I have not applied any colour grading or video effects. The blue sky (not in the sample below) appears saturated and slightly purple / violet. Some of the red rocks in the samples below take on a green / yellow tint. The greens in particular become over bright and move toward a lime tint. However when I try to use HLG to produce 8 bit output in VP 19, the result has strange colours. I use this to author HD sRGB and Rec 709 8bit output. Since Vegas Pro 17 I have been shooting UHD HLG footage on a Panasonic GH5 camera.
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